'They form a kind of unholy trinity: Jerusalem, Land of Hope and Glory and Rule, Britannia! 'And I don't meant drop them just for this year. Writing in the BBC Music Magazine, Morrison said: 'With massed choirs and a packed, flag-waving audience ruled out on medical grounds, there will never be a better moment to drop that toe-curling embarrassing anachronistic farrago of nationalistic songs that concludes the Last Night of the Proms.
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And even if they don't, what comes across to the worldwide TV audience is a stereotype of Little England that was already being lampooned when I first went to the Proms half a century ago.' 'On the contrary, they seem to mean every single word.
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He wrote: 'When I look around me - particularly at the people sitting in the posh seats whom I've never seen at any other Proms - and realise that I can detect absolutely no sign of irony as they roar out these crudely jingoistic texts. Richard Morrison, pictured, said many of the songs can no longer be deemed acceptable to modern audiencesįlag-waving crowds will be absent from London's Royal Albert Hall during this year's socially-distanced summer season of concerts due to the Coronavirus outbreak.īut Morrison says the Proms should take the opportunity to do away with what many will consider to be the concert's most stirring moments. 'The sooner the licence fee is abolished and we are no longer forced to pay for these extremist virtue signalling views to be rammed down our throats at our own cost the better.' He told MailOnline: 'This is the kind of metropolitan left wing political correct drivel which is so prevalent at the BBC that makes it so out of touch with the country at large. The column has sparked a furious backlash, with Tory MP Philip Davies branding it 'extremist, virtue signalling views.' Instead, the BBC should transform The Proms finale so it 'reflects the attitudes of its 21st-century performers and audiences, not their Edwardian predecessors'.
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He took aim at the traditional - and popular - patriotic pieces, and called for a 'toe-curling embarrassing anachronistic farrago of nationalistic songs' to be replaced with a 'more reflective' finale which doesn't 'provoke offence or ridicule' - but stopped short of proferring any suggestions. Richard Morrison - who studied music at Cambridge University and has been a BBC Young Musician of the Year judge - used his column in the BBC Music Magazine to claim it would be 'insensitive, bordering on incendiary' to chant the 'nationalist' songs this year in the wake of the Black Lives Matter movement. To live in a violent-free society, the authorities should keep systematic surveillance, including the ban of the songs with violent lyrics.One of the BBC's own columnists has called for Rule, Britannia! and Land of Hope and Glory' to be scrapped from the corporation's Last Night of the Proms concert because they are 'crudely jingoistic'. Not only can they desensitize the concept of violence, but also subconsciously, you might be affected. To sum up, I subscribe to the agreement that there is a link between violent music and aggressive behaviour. A conducted survey in a criminology field has revealed a meaningful correlation between the musical taste of criminals and their brutal crimes. For instance, the more you listen to blues music, the more you will be overwhelmed by negative feelings, this would be true of violent songs, too. Although it is advisable to be highly sensitive in selecting what spiritual materials consume, never can it be denied that only the link of lyrics influences our soul regardless of their nature. Secondly, psychologically speaking, furious poems of songs can affect the subconscious minds of listeners. By way of illustration, juveniles and teenagers communities in specific will be predominated by misleading volcanic emotions, such as swearing or assaulting. In other words, violent lyrics would be normalized in everyday life.
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Emotionally as it might help to pour out negative thoughts, in most cases, the audience is accustomed to violent content. In the following paragraphs, a piece of evidence will be provided.įirstly, looked at from an ethical point of view, violent lyrics can promote immorality. I firmly believe that this phenomenon carries some demerit in terms of ethics and psychology. It is said that the music that has vicious content gives rise to aggressive behaviour that ought to be prohibited.